“On December 7, 1985—exactly 40 years ago—the BRC burst into culture with our first-ever party (“Drop The Bomb” at Linda Goode Bryant’s JAM Gallery). Now, on this monumental anniversary, we’re pulling out even more stops… To celebrate our decades-strong community, we’re inviting some of our favorite musicians, artists, and deep-cut DJs to take to the stage and deliver the genre-expansive performances we’ve been championing since our founding. Doubling as a record release party for the 5th volume of our “Rock ‘n’ Roll Reparations” compilation series, audience members will not only be the first to hear the new record, they’ll be able to see some of the most dynamic bands play those songs live.
Remember that 40th Anniversary compilation we were accepting submissions for? Rock 'n' Roll Reparations, Volume 5? Well, we're
very excited to share that the songs have been selected and we're ramping up for the record release party on December 7th 2025
So, who's on it? Some true Black Rock OG royalty...Faith NYC, D-Xtreme, Corey Glover, Marque Gilmore
Tha Inna•Most, Three5Human and Garland Jeffreys amongst others….
And some new folks that are channeling legacies that we all can hear, see, and feel: 13th Law, AfroDiziac, Brad Walrond, Dionic,
Elizabeth McCorvey or Franck Biyong.…CONGRATS to everyone who was selected and thanks to all who shared your music with us.
It will be available to download on Dec 7. But until then, please reach out the these folks to show some love”
(LaRonda Davis / BLACK ROCK COALITION President)
The stage is set for an epic showdown at the 2025 All Africa Music Awards (AFRIMA). The countdown to the 2025 AFRIMA has
officially begun, and the competition is shaping up to be one of the fiercest in the award’s history. This year’s nominations followed
a record-breaking 10,717 entries, the highest since the inception of AFRIMA 12 years ago. A 13-member International Jury, after 10
days of adjudication, shortlisted 343 nominees across 40 categories, representing Africa’s five regions and the diaspora.
The International Committee of AFRIMA confirmed that public voting will open globally on September 10th, 2025, via the official
AFRIMA website (www.afrima.org). Music lovers across Africa and the diaspora will be able to participate in determining the
winners in the various categories. Voting will close on the eve of the main awards on November 30th.
The 2025 celebration will run from January 7th to 10th 2026, featuring the Welcome Soiree, the AFRIMA Music Village, the Africa
Music Business Summit, a Host City Tour, the Nominees Party, and the Main Awards Ceremony. The grand finale on January 11th
will be broadcast live to over 84 countries worldwide.
- CLICK ON THE FLYERS BELOW TO VOTE FOR FRANCK -
"The Cameroonian master musician Franck Biyong remains an enigma on his kick-ass new single for Tangential Music. Only he
could follow up his brilliant tribute to the great musicians of Africa on his 2024 album - 'Radio Masoda' - with a tough-as-nails psychedelic
blues-rock tune that channels Jimi Hendrix, Buddy Miles and a host of Afro Rock and boogie blues devotees.
Recorded in Paris and Saint Ouen with an international cast of collaborators, Franck riffs it hard over tough drums and bass, whilst
deep-in-the-mix horns and a trio of female backing vocals raise the already scorching temperature.
The lyrics address the growing rift between Black Americans and African immigrants in North America as well as the damage
inflicted on Africa by foreign monetary aid but in some sense, they could also be universally understood as how the system makes it
hard for everyone apart from the elite. Vocally, Franck sounds surprisingly similar to Liam Bailey, the British soul, reggae and blues hotshot: melancholia and fire combined. Turn it up!’
(Justin Turford / Ex-Friendly)
Released on TANGENTIAL MUSIC / Distribution by BELIEVE DIGITAL
"Leading the charge for a forthcoming remix E.P. of choice tracks from Franck Biyong’s ‘Radio Masoda’ album comes this
dramatically re-envisioned mix of Franck’s gently swaying version of Kenyan Benga legend Daudi Kabaka’s ‘Jela Kubwa Na Viboko’.
A Kenyan producer from a later generation, the mysterious Aint4perfect (AKA Woni Kimani) has deconstructed the original’s
sunshine-infused romance and created a thunderous Afro-Electro beast that could easily have been dropped by Ibiza icon
DJ Alfredo in 1987.
With 12 years as a collaborator of the afrobeat pioneer Tony Allen (also co-composer and director of Tony’s Blue Note masterpiece
‘The Source’), who better than the Paris based saxophonist, composer, arranger and producer Yann Jankielewicz to remix
Franck Biyong’s tribute to the maestro, ‘Oladipo’?
You can really drift along and enjoy these remixes…from unhinged production to 1987 Balearic, solid housey reworks to slow burning
afro trance, these are 4 tunes of brilliant music from across the spectrum and across Afrolectric sonic waves. Big love to our
independent operators for keeping the scene alive and inspiring”
(Justin Turford / Ex-Friendly)
Released on TANGENTIAL MUSIC / Distribution by BELIEVE DIGITAL
“We are delighted to be presenting ‘Radio Masoda’, the brilliant new album by the Cameroonian master musician and composer Franck Biyong. Produced as an inter-African ‘dance’ record and with an impressive list of international collaborators that includes the late Tony Allen, Sandra Nkaké and members of Kwashibu Area Band and Egypt 80, the creative freedom allowed to his guests and world class musicianship make this a genuinely joyful experience.
As Franck explains - “We conceived this album as a tribute to the classic/golden age of African music, and how Congolese rumba served as a bedrock for artists and musicians all across Africa. There is also an "Afro music library" aspect to the record as it presents influences
of many of the African music originators and legends.”
Dedicated to his mentor Manu Dibango, ‘Radio Masoda’ masterfully blends Central Africa’s widely influential Makossa magic with Afrobeat, Congolese rumba and soukous, Ghanaian highlife and other regional styles to create something that sounds both familiar
and fresh.
A highly prolific artist, with over nineteen albums released, Franck has explored decades of African music styles with an historian’s detailed eye and an artist’s need to reinvent.
His deftness at cherry picking what he needs from traditions and blending them together with contemporary production techniques makes this a record for now”
(Justin Turford / Ex-Friendly)
Released on TANGENTIAL MUSIC / Distribution by BELIEVE DIGITAL
“Frustrated by the state of popular African music, Franck Biyong decided to create his own ‘Afrolectric’ sound
inspired by Le Grand Kallé, Fela Kuti, Manu Dibango and the greats of yesteryear. Franck cuts an elegant figure both
on- and off-stage. The tall, bespectacled Cameroonian could pass for the academic professor his parents always hoped he
would become. Certainly, his aesthetic approach towards production, composition and guitar playing has a pedagogic side,
allying explorations of his heritage with a prescient notion of what the musical future holds”
(Interview & Article by Daniel Brown)
Released June 13th 2024
The brand new album Moonwatching 2 tells a story of self-‐assertion and current societal challenges. And it incorporates
Franck's African musical influences into his style from all his eras. He sounds defiant, loud and proud and it is unmistakable
that his inner, wild lion is fighting with the rigid structures of the Western world.
Franck moves the limitations of African music with “Moonwatching II”, extending the palette of newer sounds
in creative guitar music. As Afropop and Nigeria's Afrobeats are recognized worldwide, African rock is almost missing,
although it’s one of the elements of modern alternative rock music.
Is Franck Biyong the African Jimi Hendrix? Well ... Let’s put it this way: “Moonwatching II” combines the abrasive sonics of a James
Blood Ulmer with the melodic structures of early progressive and art-‐rock. So yes, Franck (who by the way never intended to copy
Jimi) naturally deals with similar topics and sounds in his music…
Driven by eerie melancholy, surreal guitars, ghost voices and strong musicianship, the psychedelic music does not get transfigured through the gentle but clear melodic lines. With Moonwatching II, Franck Biyong swaggers from Funkadelic style rock before leading
us to Frippertronics-like sound scapes...
Released on AKHETATON RECORDS / Distribution by BELIEVE DIGITAL